Author Truths

I took a class from Caitlyn McFarland at the LDStorymakers Conference last year and I really respect what she has to say. This advice about writing is awesome so I thought I would share it.

Caitlyn H. McFarland

I posted a medium-sized writing rant on Facebook and my friend asked me to post it here, so I did. I tweaked it. And I added gifs. Because that’s what I do. Enjoy!

I get asked writing and publishing advice on a pretty regular basis. I love to help where I can. Really. Helping other writers is one of my favorite things. But I can’t count the number of times someone has asked for advice and then shrugged it off. I write books for money (not a lot, but I’m working on it). I have a literary agent. I’m traditionally published. If you ask for my advice, listen!

But because they won’t, the burden falls, my hapless readers, on you. Here are a few truths about writing and publishing people don’t love to hear:

1) Most authors don’t make enough money to quit their day jobs.

meme artist crying money poor

2) You aren’t just going to…

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More Middle: The fine line between almost published and published (Story Structure in Harry Potter, Pt IV)

More advice from Write Like Rowling

Write Like Rowling

Photo by Bells Design @ Gratisography / CC0 1.0

In my previous post I mentioned that a book’s middle is one of the main deciding factors in its overall success (or failure). And how couldn’t it be? The middle comprises 50% of a book’s pages! But what exactly determines if a middle will fail or succeed?

Simply put, successful middles had authors who understood that the middle of a novel actually has two parts – and between those two parts there’s something vitally important called: the midpoint.

We’ve already covered the specifics of the first part of the middle (The Response) which comprises 25-30% of a novel: Here the protagonist is a wanderer, trying to find his place and making many mistakes along the way. Then halfway through the book at the midpoint there’s a “big fat unexpected twist,” as Larry Brooks says in Story Engineering. And this twist “empowers the hero…

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The Middle-Muddle: Write a middle that has some punch! (Story Structure in Harry Potter, Pt III)

Write Like Rowling

Photo by Bells Design @ Gratisography / CC0 1.0

The middle of a novel comprises 50% of a book’s pages. It doesn’t have the fresh taste of a beginning and it doesn’t have the twists and turns of an ending. It’s just the middle.    Just    the    middle.    Sounds boring, doesn’t it? Writing the middle of a novel has sunk many an aspiring writer; so how exactly did Rowling do it?

Part II: The Response

Reading Story Engineering by Larry Brooks immensely helped my understanding of the mechanics behind “the dreaded middle.” In my previous post I discussed the first 25% of a novel, The Setup, which ends after the first plot point. This post will focus on the second part: The Response.

The Response spans another 25-30% of a novel and its purpose is to zero in on the protagonist’s reaction to his new situation after getting…

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The Beginning: Get your book off to a rock solid start (Story Structure in Harry Potter, Pt II)

This was a great read and being an avid Harry Potter fan I can see how Rowling followed these rules. In reading about the setup, I now can really see what I need to do for Book 2.

Write Like Rowling

Photo by Martin Wessely @ Unsplash / CC0 1.0

In my previous post we discussed how Rowling’s unique plots were (ironically) successful because she followed some basic novel guidelines. I specifically focused on plot points and pinch points in that post as defined by Larry Brooks in his book Story Engineering. Now in this post I’m going to be referring to Brooks’ text again to look at a few more important elements of story structure.

I’m a visual learner myself so here’s a diagram of the parts I’ll be talking about:

OVERVIEW OF STORY STRUCTURE

Story Structure

Now for the specifics:

STORY STRUCTURE IN HARRY POTTER AND THE SORCERER’S STONE

Harry Potter Story Structure

In Story Engineering Brooks writes that there are four major parts of a novel: The Setup, The Response, The Attack and The Resolution. Like a circle, successfully writing one of these parts determines the success of the next part – and the success of…

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